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Alain Pire - Fourgon: De proche en proche

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Alain Pire - Fourgon: De proche en proche

An album entirely devoted to the trombone - that's rather unusual! de proche en proche, Belgian composer Michel Fourgon's second monographic disc on Cypres, features the instrument in a variety of configurations, in stages spanning some twenty years: from solo pieces (with Alain Pire as soloist) to concertos with symphony orchestra and choir (OPRL and Choeur de Chambre de Namur), via several chamber music repertoire arrangements and a surprising and delightful exchange between baroque (Les Agremens) and modern (ORCW) chamber orchestras tuned a quarter tone apart. Accompanied by Alain Pire, his long-time collaborator, Michel Fourgon explores all the resources of the instrument in a joyful kaleidoscope with an aesthetic rigour that never distances him from what he considers to be "his" voice at the heart of the music of his time.

An album entirely devoted to the trombone - that's rather unusual! de proche en proche, Belgian composer Michel Fourgon's second monographic disc on Cypres, features the instrument in a variety of configurations, in stages spanning some twenty years: from solo pieces (with Alain Pire as soloist) to concertos with symphony orchestra and choir (OPRL and Choeur de Chambre de Namur), via several chamber music repertoire arrangements and a surprising and delightful exchange between baroque (Les Agremens) and modern (ORCW) chamber orchestras tuned a quarter tone apart. Accompanied by Alain Pire, his long-time collaborator, Michel Fourgon explores all the resources of the instrument in a joyful kaleidoscope with an aesthetic rigour that never distances him from what he considers to be "his" voice at the heart of the music of his time.

$23.99
Alain Pire - Fourgon: De proche en proche
$23.99

Description

An album entirely devoted to the trombone - that's rather unusual! de proche en proche, Belgian composer Michel Fourgon's second monographic disc on Cypres, features the instrument in a variety of configurations, in stages spanning some twenty years: from solo pieces (with Alain Pire as soloist) to concertos with symphony orchestra and choir (OPRL and Choeur de Chambre de Namur), via several chamber music repertoire arrangements and a surprising and delightful exchange between baroque (Les Agremens) and modern (ORCW) chamber orchestras tuned a quarter tone apart. Accompanied by Alain Pire, his long-time collaborator, Michel Fourgon explores all the resources of the instrument in a joyful kaleidoscope with an aesthetic rigour that never distances him from what he considers to be "his" voice at the heart of the music of his time.