Wolfgang Bock - Bock liest Bruckner IV
Following the first three CDs in the Bock reads Bruckner series, which were dedicated to the composer's period in Upper Austria, his existence as a perpetual bachelor on the lookout for a wife, and his veneration of Richard Wagner, this fourth of five readings with music now turns it's focus-again with a cast of readers-to the relationship between Bruckner and the sharp-tongued yet stylistically brilliant critic Eduard Hanslick. Through letters and reviews, it highlights how Hanslick's writings in the second half of the 19th century exerted a dominant influence on the entire Viennese musical world. However, six of his own songs, interwoven into the performance, also reveal him as a composer in his own right. In this fourth instalment of the series, Wolfgang Bock and Thomas Thieme, recitation, Elisabeth Wimmer, soprano, and Daniel Linton-France, piano, transport the audience into the fascinating world of Anton Bruckner in an incomparably authentic manner.
Following the first three CDs in the Bock reads Bruckner series, which were dedicated to the composer's period in Upper Austria, his existence as a perpetual bachelor on the lookout for a wife, and his veneration of Richard Wagner, this fourth of five readings with music now turns it's focus-again with a cast of readers-to the relationship between Bruckner and the sharp-tongued yet stylistically brilliant critic Eduard Hanslick. Through letters and reviews, it highlights how Hanslick's writings in the second half of the 19th century exerted a dominant influence on the entire Viennese musical world. However, six of his own songs, interwoven into the performance, also reveal him as a composer in his own right. In this fourth instalment of the series, Wolfgang Bock and Thomas Thieme, recitation, Elisabeth Wimmer, soprano, and Daniel Linton-France, piano, transport the audience into the fascinating world of Anton Bruckner in an incomparably authentic manner.
Description
Following the first three CDs in the Bock reads Bruckner series, which were dedicated to the composer's period in Upper Austria, his existence as a perpetual bachelor on the lookout for a wife, and his veneration of Richard Wagner, this fourth of five readings with music now turns it's focus-again with a cast of readers-to the relationship between Bruckner and the sharp-tongued yet stylistically brilliant critic Eduard Hanslick. Through letters and reviews, it highlights how Hanslick's writings in the second half of the 19th century exerted a dominant influence on the entire Viennese musical world. However, six of his own songs, interwoven into the performance, also reveal him as a composer in his own right. In this fourth instalment of the series, Wolfgang Bock and Thomas Thieme, recitation, Elisabeth Wimmer, soprano, and Daniel Linton-France, piano, transport the audience into the fascinating world of Anton Bruckner in an incomparably authentic manner.
